Introduced into printmaking at the age of 16, Parhar has developed his printmaking skills throughout his artistic career. In 2016, he went on to complete a BA (Hons) in Fine Art at the University of Wolverhampton, followed by an MA degree in 2018. Parhar specialises in producing large scale dry-point prints.
His current work delves into the concept of empty spaces, its relationship with the viewer and the form which shapes it. Parhar explores empty spaces such as tunnels, vents, caves, fissures etc. These forms create an intervening space called an ‘interstice.’ The relationship between the three entities brings up the question of whether the entities supplement or oppose each other. It is this question, that plays a major part of his research and development. The use of black and white in his works emphasise the disparity and the unity between the interstice and interstitial space. The two colours oppose each other, yet work together. The viewer is immersed within this re-representational space through the size of the prints. Both exist in the realm of one another as one cannot exist without the other. The viewer is a mere footnote in the wider spectrum.
In recent years he has gone onto complete artist in residencies; most notably at IKON Gallery as well as win an award for his work. Parhar often exhibits around the UK. Institutions include; Wolverhampton Art Gallery, Walsall Art Gallery and Nuneaton Art Gallery and Museum. Recently he has been exhibiting and working closely with RBSA Gallery and IKON Gallery. Parhar is also a member of Wolverhampton Society of Artists, People of Print as well as being a Graduate Artist for the Royal Birmingham Society of Artists (GRBSA).
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